As you can see now some old dinosaurs of politics can not even read the agenda in the Senate without the old NZO reassures them that the decisions to be taken .. No 
Because not only love but also friendship always wins. Vince Sport and the Brotherhood. Wins the Taste. But above all ... Vince Carter (difficilotta, I know). 
"PORTRAIT OF CRISIS"
Architecture, Modernity, crisis and information technology
interesting and profound is the concept of crisis, taken from the words of Anthony Wise in his last publication "Introduction to the Computer Revolution, understood as" a tendency to create an aesthetic of rupture and change "through a" tension to modernity "that both will be stronger and more profound aspect of the Net will change and break.
sixties Piero Manzoni has shown us how to transform an object into a work of art should be, after all, only expose in vitro, in the shrine, a museum, even excrement is a 'work of art if an artist is . In the seventies Robert Venturi, considered as a provocative contribution, showed us how to just put a huge sign self to transform an ordinary building into a monumentum , despite derived from its etymology warning. We are in crisis because looking back at Learning from Las Vegas we understand (or pretend not to?) That things have changed, or if they are, only the surface.
Today the will demiurgic rationalist architect replaces powerfully the willingness to communicate a message. Never more than now the architecture has been a mass medium. Now seems perfectly normal and justified to apply a volumetric massing but trivial, modular technology casings, which are themselves vehicle information. As in the seventeenth century the altar smashed l’involucro dell’edificio, dall’interno verso l’esterno, per proiettare il fedele in un mondo metafisico, oggi i cangianti rivestimenti mediatici sfondano l’architettura dall’esterno verso l’interno, trasportando il passante (perché non possiamo più parlare di fruitore) in un mondo nel quale la comunicazione celebra l’apologia di sè stessa. Il fine ultimo dell’architettura si sposta dal trasformare all’informare .
Venturi, è stato acuto, come oggi è acuto Rem Koolhaas, ci hanno mostrato violentemente la verità, criticando gli architetti, coplendoli nei punti dove sono più touchy, bringing to light all their ambitions. They talked about the house of a rope, and now we are in crisis.
But the word crisis comes from the verb krinw by which means to separate, divide but also figuratively decide. The architecture is a matter of choice even before of views. We decide the form, we devote the space.
"
Eisenman, De Kerckhove, Saggio
of
Furio Barzon
L 'ETH Zurich in the spring of 2000
Al variare delle esigenze di una società, variano anche i contenuti delle carte che i progettisti sono chiamati a sottoscrivere per dichiarare la loro unità d’intenti, per esprimere il loro comune agire. Alla celebre carta d’Atene, che rappresentò la svolta urbanistica della prima metà del secolo scorso, segue metaforicamente la “Carta di Zurigo”, un tentativo di codificare l’utilizzo dei nuovi, potenti mezzi mediatici e tecnologici in relazione all’architettura. Mentre
The biggest and most disturbing difference that separates the modern movement from the current trends of contemporary architecture consists of a marked change of primitive needs with which the architect must be measured. Housing and social urgency, the CIAM had responded to the rationalization of 'housing and land use, that he had tried to solve a social problem with many media projects, including one of the most famous is the concept of minimum existenz coined by Alexander Kline. Today the urgency social (though hidden beneath the apparent well-being and comfort the West) is actually replaced by the need of communications and information. The architecture that is in addition to fulfill a quasi-divine role in society actually becomes a mass medium. The casing is used as a vehicle of information technology, and if today we can compare it to a TV in the near future it will become closer to the monitor, acquiring all the characteristics of their interaction network. The architecture thus static form of art related to the building, changes in body capable of responding as a function of its context.
The concept of architecture, the legacy of a thought turned into poetry by sullivan FLWright where "form follows function" was the emblem of a refined holistic, we are today faced with a clear approach of the new designers to focus on the trends of an embryonic architecture where form follows the information, understood as the ability to acquire and transmit data, and then interact. The new frontiers of architecture lead directly to a form of architecture not only narrative but more interactive.
"Architecture [...] to articulate the space and time [...] to experience the many ways to change your life [...] that changes in part or entirely, depending on the will of its inhabitants [...] in the curve of the eternal human desires "(Gilles Ivain, 1953) this quote reported by Antonino Saggio intervention at the meeting of 11 April 2000
The border becomes more interesting architecture so that the comparison with the digitization and its possible interaction con lo spazio. Questa frontiera può diventare effettivamente avanguardia perché all’interno della realtà virtuale, come sul web d’altronde, l’architettura si emancipa da alcune delle sue condizioni che la vincolano (ma che contribuiscono a definirla) nel mondo reale, come ad esempio la limitatezza dello spazio fisico, la legge entropica, il concetto di Hic et Nunc e la forza di gravità. Un’edificio digitale cioè si pone come costruzione in un mondo senza problemi di spazio: il minimum diventa maximum existenz volto ad interpretare e esaudire i desideri del fruitore dove lo spazio non è più un lusso accessibile a pochi; può non essere soggetto alla forza di gravità, annullando the concept of tectonics in the modern movement. With these new properties open architecture in front of an infinite range of possibilities previously unimaginable.
We're going in a direction where we have a mind-machine connection, in which thoughts (head of the imagination) are transferred in real time on screen. This potential has yet to be touched only in architecture, but the experts, the authors of this discussion, assume that the architecture must change according to the wishes of the user in real time. It will be dynamic as it is changing our thoughts and our desires, architecture designed come un organismo vivente fatto di pelle sensibile e in grado di muoversi, mutare ma soprattutto di reagire agli stimoli.
Yokohama, Prefettura di Kanagawa, Giappone -1986
